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Vincent Montana, Jr. One of the disintegrated figures of the disco era died last Saturday, age 85.
as a vibraphonist and percussionist, Montana was a central member of MFSB, the legendary pool of studio musicians who have taken music on as many classic Philadelphia International Records of deeds, including O'jays, Harold Melvin and the Bluenotes And the three degrees as well as in their own name - 'TSOP (the sound of Philadelphia)' his biggest hit (and the topic for the popular Black Music TV Show 'Soul Train'). After a dispute with Pir-Kingpins Gamble & Huff on finances, several members of the group were announced to salsoul records, where they were known as salsoul orchestra, Montana on the helmet as a founding member and arranger / conductor.
In 1978 his own project scored on Atlantic Records, Goody Goody, a disco match statistically with '# 1 Dee Jay'. However, it was another track from the album, "it looks like love," who caught the attention of the DJS specialist period in Great Britain and became the jazz wireless scene to a subterranean favorite. It would also play a significant part of my 2003 comeback gig as a conclusion, while it is one of my "12 x " parts for the NYC Wax Wax Poetics Magazine in 2006 and in my 2009 'Essential Mix' for BBC Radio 1 characterizes.
If the disco was discredited in 1979 in the US in the US, over the movement racist / homophobic, important figures like Montana were marginalized, rather than celebrating them, as they should have been, which gradually slip into the relative darkness. Even today, a huge piece of the cultural heritage of America remains largely enveloped, as Disco could never recover from the damage about this malicious campaign in the US - the term still a dirty word for many.Although he did not get more hits more, in the early "80s 2 other Montana productions in the United Kingdom massive underground favorites, both of my weekly flower filter lists were tapping. In December 1982 it was" heavy Vibes of the Montana Sextet, followed , 3 months later, from 'Ooh, I love it (love fracture) from the salsoul orchestra he wrote and produced. Appropriate, under the given circumstances he sits on # 1 on my last early 80s Flood Filter diagram: / Greg-Wilson-Top-10-Floorfilter-March-83 /
There is a further coincidence, this time in terms of my head for copying appearance, this coming Saturday, with NYC, the Maestro Danny Crivit in Loft Studios processes in London. Krivits' 80s revised by the love of MFSBS 'Love is the Embassy', a Quintenseial New York disco-hymn, in which he parts of 'Ooh, I love it (love break)' - the "love" in "love fracture", The focus on the inspiration of the track, "love is the message" - is now considered as a seed to the current re-edition movement, which represents the standard. Of course, Montana was connected to both tracks.
With the reclamation of disco in experts during the last times, the musical contributions from Montana received that Montana's musical contributions from a younger generation of dance music enthusiasts over a double album retrospectively delayed, mainly with Goody Goody and Montana Sextet / Orchestra Tracks is called a heavy mood, "published in 2002 on the Italian Temposhere label. This was followed by projects in the 90s with New York DJ Duo Masters at work and British pop band, the boy of the PET shop.
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